La International Film Music Critics Association (IFMCA) acaba de hacer públicas las nominaciones a sus premios anuales, la 15ª edición, dedicados a galardonar lo mejor de la música de cine, televisión y videojuegos del pasado año. Los candidatos se han decidido mediante votación de los más de 65 miembros de esta asociación, a la que pertenecen algunos del equipo de BSOSpirit.
Este año destacan entre los favoritos James Newton Howard, que parte con cuatro nominaciones, así como Nicholas Britell, Alexandre Desplat, Ludwig Göransson, Justin Hurwitz y John Powell, con tres cada uno.
Para nuestros compositores las cosas han ido muy bien. Son de destacar las nominaciones de Roque Baños entre el quinteto candidato a Compositor del Año, y las de Iván Palomares y Manuel Riveiro en la categoría de Compositor Revelación. Palomares también ha logrado una nominación en la categoría de Mejor Score Original de Drama por En las estrellas, Manuel Riveiro y Xavi Font la consiguen en Mejor Score de Acción, Aventura o Thriller por La sombra de la ley, y Federico Jusid en Mejor Score de Animación por Watership Down y en Mejor Score de Televisión por La catedral del mar.
A estas debemos sumar las nominaciones de Quartet Records, el sello de José María Benítez. Por un lado, opta al premio a Mejor Sello Discográfico. Además, ha colocado dos candidaturas en la categoría de Mejor Edición de Archivo-Nueva edición o regrabación de un Score del Existente: la magnifica edición de El hombre y la tierra, obra de Antón García Abril, y la de The Bride Wore Black, de Bernard Herrmann.
Asimismo, en la categoría de Mejor Edición de Archivo: Recopilación está nominado A Tribute to Michael Kamen, el concierto dirigido por Pablo Urbina con la Orquesta Filarmónica de Málaga durante la primera edición del Movie Score Málaga (MOSMA), disco de Quartet producido por José María Benítez y Chris Malone.
Nuestra enhorabuena a todos.
Y a continuación, aquí tenéis los nominados en todas las categorías. Los ganadores se conocerán el próximo 21 de febrero:
FILM SCORE OF THE YEAR
- BLACK PANTHER, music by Ludwig Göransson
- FIRST MAN, music by Justin Hurwitz
- MARY POPPINS RETURNS, music by Marc Shaiman
- MAX AND ME, music by Mark McKenzie
- SOLO, music by John Powell
FILM COMPOSER OF THE YEAR
- ROQUE BAÑOS
- NICHOLAS BRITELL
- LUDWIG GÖRANSSON
- JAMES NEWTON HOWARD
- ALAN SILVESTRI
BREAKTHROUGH COMPOSER OF THE YEAR
- THOMAS ADÈS
- IVÁN PALOMARES
- MANUEL RIVEIRO
- AMELIA WARNER
- THOM YORKE
BEST ORIGINAL SCORE FOR A DRAMA FILM
- EN LAS ESTRELLAS/UP AMONG THE STARS, music by Iván Palomares
- FIRST MAN, music by Justin Hurwitz
- IF BEALE STREET COULD TALK, music by Nicholas Britell
- MARY, QUEEN OF SCOTS, music by Max Richter
- VICE, music by Nicholas Britell
BEST ORIGINAL SCORE FOR A COMEDY FILM
- CHRISTOPHER ROBIN, music by Geoff Zanelli and Jon Brion
- CRAZY RICH ASIANS, music by Brian Tyler
- MARY POPPINS RETURNS, music by Marc Shaiman
- THE SISTERS BROTHERS, music by Alexandre Desplat
- VIDEOMANNEN/VIDEOMAN, music by Robert Parker and Waveshaper
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
- KING OF THIEVES, music by Benjamin Wallfisch
- LA SOMBRA DE LA LEY/GUN CITY, music by Manuel Riveiro and Xavier Font
- MISSION: IMPOSSIBLE – FALLOUT, music by Lorne Balfe
- OPERATION FINALE, music by Alexandre Desplat
- RED SPARROW, music by James Newton Howard
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
- BLACK PANTHER, music by Ludwig Göransson
- FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD, music by James Newton Howard
- JURASSIC WORLD: FALLEN KINGDOM, music by Michael Giacchino
- READY PLAYER ONE, music by Alan Silvestri
- SOLO, music by John Powell
BEST ORIGINAL SCORE FOR AN ANIMATED FILM
- INCREDIBLES 2, music by Michael Giacchino
- ISLE OF DOGS, music by Alexandre Desplat
- MAX AND ME, music by Mark McKenzie
- SPIDER-MAN: INTO THE SPIDER-VERSE, music by Daniel Pemberton
- WATERSHIP DOWN, music by Federico Jusid
BEST ORIGINAL SCORE FOR A DOCUMENTARY
- DYNASTIES, music by Benji Merrison and Will Slater
- FREE SOLO, music by Marco Beltrami
- McQUEEN, music by Michael Nyman
- TIDES OF FATE, music by Pinar Toprak
- WILD, music by Matthijs Kieboom
BEST ORIGINAL SCORE FOR A TELEVISION SERIES
- AIQING DE BIANJIANG/FRONTIER OF LOVE, music by Mark Chait
- LA CATEDRAL DEL MAR, music by Federico Jusid
- LOST IN SPACE, music by Christopher Lennertz
- WESTWORLD, music by Ramin Djawadi
- YELLOWSTONE, music by Brian Tyler
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
- 11:11 MEMORIES RETOLD, music by Olivier Derivière
- GOD OF WAR, music by Bear McCreary
- NI NO KUNI II: REVENANT KINGDOM, music by Joe Hisaishi
- SPIDER-MAN, music by John Paesano
- TORN, music by Garry Schyman
BEST ARCHIVAL RELEASE – NEW RELEASE OR NEW RECORDING OF AN EXISTING SCORE
- BRAM STOKER’S DRACULA, music by Wojciech Kilar; album produced by Dan Goldwasser; liner notes by Tim Greiving; art direction by Dan Goldwasser (La-La Land)
- THE BRIDE WORE BLACK, music by Bernard Herrmann; The Basque National Orchestra conducted by Fernando Velázquez; album produced by Jose M. Benitez and Edouard Dubois; liner notes by Frank K. DeWald; art direction by Nacho B. Govantes (Quartet)
- DRACULA, music by John Williams; album produced by Mike Matessino and Robert Townson; liner notes by Mike Matessino; art direction by Jim Titus (Varèse Sarabande)
- EL HOMBRE Y LA TIERRA, music by Antón García Abril; album produced by José María Benítez and Miguel A. Órdóñez; liner notes by Miguel A. Órdóñez; art direction by Nacho B. Govantes (Quartet)
- THE VIKINGS, music by Mario Nascimbene; The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald; art direction by Jim Titus (Prometheus/Tadlow)
BEST ARCHIVAL RELEASE – COMPILATION
- CARTER BURWELL: MUSIC FOR FILM, music by Carter Burwell; The Brussels Philharmonic Orchestra conducted by Dirk Brossé; album produced by Marijke Vandebuerie and Valerie Dobbelaere; liner notes by Patrick Duynslaegher and Raf Butstraen; art direction by Stuart Ford (Silva Screen)
- THE COMPLETE LONDON SESSIONS, music by Georges Delerue; album produced by Robert Townson; liner notes by Robert Townson; art direction by Robert Townson, Bill Pitzonka, and Bob Peak (Varèse Sarabande)
- HARRY POTTER: THE JOHN WILLIAMS SOUNDTRACK COLLECTION; music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; art direction by Jim Titus (La-La Land)
- THRILLER 2, music by Jerry Goldsmith; The City of Prague Philharmonic Orchestra conducted by Nic Raine; album produced by James Fitzpatrick and Leigh Phillips; liner notes by Jon Burlingame; art direction by Nic Finch (Tadlow)
- A TRIBUTE TO MICHAEL KAMEN, music by Michael Kamen; The Malaga Philharmonic Orchestra conducted by Pablo Urbina; album produced by José M. Benítez and Chris Malone; art direction by Nacho B. Govantes (Quartet)
FILM MUSIC LABEL OF THE YEAR
- INTRADA RECORDS, Douglass Fake, Roger Feigelson
- LA-LA LAND RECORDS, MV Gerhard, Matt Verboys
- QUARTET RECORDS, Jose M. Benitez
- TADLOW MUSIC, James Fitzpatrick
- VARÉSE SARABANDE, Robert Townson
FILM MUSIC COMPOSITION OF THE YEAR
- “The Landing” from FIRST MAN, written by Justin Hurwitz
- “Finale” from MARY, QUEEN OF SCOTS, written by Max Richter
- “Overture” from RED SPARROW, written by James Newton Howard
- “Mine Mission” from SOLO, written by John Powell
- “The Adventures of Han” from SOLO, written by John Williams
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